Wednesday, June 27, 2007

natural plant dying at ohara kobo, north of kyoto

this is the view of ohara kobo, a plant dye workshop in ohara, which is a small town an hour north of kyoto. i was really excited to try their dye course. we stayed overnight at a traditional japanese onsen ryokan, and went here on sunday morning. it was great. the guy spoke some english, and gave us lots of information (more so when we kept asking detailed questions!).

this is the view from their back porch, with dyed cotton hanging.
inside the shop/example area of the workshop, showing all the scarves and colors available.
in the dyeing shed, with the proprietor at the stove. he was a very entertaining fellow.

yarn dyed with loquat, or japanese medlar, or 'biwa' in japanese
madder plant (grown very very locally). in japanese 'akane'.
traditional cotton spinning wheel in use. they grow a small amount of their own cotton.

ohara (kyoto) japanese indigo dyeing

this is the japanese indigo plant, or polygonum. in japanese, it's called tadeai. ai is indigo as in 'aizome' means indigo dyeing.this is what it looks like dried. the leaves can be used directly to dye, but this is not really ever done. tadeai is fermented in a big bucket. it's really a huge bucket, the size of an oil drum.and goes into this vat, which is 1 meter deep.dyeing a silk scarf using oxidation to get a deeper color: one minute in the dye, one minute in the air. *repeat.*
silk scarf

Tuesday, June 26, 2007

renegade in the nytimes

being in japan, i can't get to the renegrade craft fair in new york or chicago this year.

i had a great time in chicago last year, and in brooklyn the year before. renegade has had a huge impact on the d.i.y. craft movement, and keeps getting bigger. and today i saw an article in the nytimes about it!

sue from the cool store giant dwarf was the feature photo, and the nifty felter penfelt showed up too. etsy got a mention as well. yay for crafts!

Tuesday, June 19, 2007

june handmade market

since summer is here, the handmade market at chionji temple in kyoto (the 15th of every month) has been really busy. lots of cute new summer things for sale, of course...like the glass summer bells (above) or whimsical creatures (below).
lots of zakka

and awesome feltmakers whose work i hadn't seen before. these dolls are so lovely!
and crazy tissue holders in the shape of animal heads!
and wee walnut mice.

Sunday, June 17, 2007

vacation blog lapse

i'm back in japan, and have tons of pictures to post from last week's handmade market and a natural dying workshop i did with my mom last weekend. she doesn't seem to mind that i plan to make her do a lot of fiber classes with me;-) i promise to post pictures.

for now, check out the new design over at craftster, it looks great!

Tuesday, May 29, 2007

new books sneak peek

i'm rushing around getting ready for a vacation trip that starts this weekend. i'll be shipping all received orders on friday (japan time) and then after i get back on june 14th.
here's a sneak peak of some of the new titles i will be carrying in my etsy shop, including these from the lovely handmade zakka series.
there are also a few new felt books that have been published recently:this is the most amazing needle-felted food i have ever seen. seriously. so detailed and perfect!
this is another new book about sewing with felt. usually i don't carry many sewing with felt books, but this one is especially lovely and has a great modern feel to the projects and designs.

i haven't posted them yet, but plan to in the next few days.
if you want one right away, you can email me directly.

Monday, May 21, 2007

my gocco treasury is on etsy's front page!

oh my god, how exciting! i feel positively giddy. AND...people are buying the items, which is good for the awesome gocco artists, but means my treasury is shrinking! here's the original treasury below.

Sunday, May 20, 2007

andrea zittel

ever since i posted about the bueys bunnies, i've been thinking about my other felt hero, andrea zittel. she is a very cool young contemporary artist, and her work is very broad, often related to ideas of inhabitation.

she's done some lovely work with felt, as a very direct way to form clothing. to see more, you can go to her website, click on 'works' on the top, and A-Z Fiber Form Uniforms will take you to felt objects like the one above.

also, i learned about her new project, smockshop
from the site:

The a-z smockshop generates income for artists who’s work is either non-commercial, or not yet self sustaining. The smocks are designed by Andrea Zittel and produced by a group of smockers who reinterpret the design based on their own individual skill sets, tastes and interests. And of course as we craft the smocks we are also working on a "guide for better working".

neato.

Thursday, May 10, 2007

owly shadow puppets

i just got an email from andrea of owly shadow puppets announcing that her new website is up and running.

i bought one of her puppets last year at renegade chicago, and they are great. andrea laser cuts heavy black matboard, and attaches rivets to make shadow puppets with movable joints.

she has fun designs, too: yeti, owl, sea monster, mermaid, and tooth fairy (with molar skirt, pictured above). and they are only $10, can you believe it?

Saturday, May 05, 2007

etsy is a drug, a wonderful drug

this is the best thing ever. from etsyian das kaninchen (which means the bunny, in german), the bueys bunny! i love it so much i can hardly stand it. for those of you without a dorky art major past like me, joseph bueys was an early conceptual/installation artist. he constructed a whole imagined narrative history for himself about crashing his airplane and being saved by being wrapped in fat and felt. which lead to his use of heavy felt in many of his works. so, he's sort of a felt hero, to me at least.
das kaninchen has made this bueys bunny in a clever comment on buey's performance piece 'how to explain pictures to a head hare,' and turns the inherent elitism of his ideas upside down as a crafted toy that can be drooled on.
she is one smart cookie. she also has fibonacci bunnies. sweet.

Thursday, May 03, 2007

no sweat apparel

since i finally got around to using my print gocco to print on fabric and felt, i sort of want to print on everything! back in college when i studied printmaking for a year, i loved everything about the process. i love the gocco too, of course, but the process is so different, it feels like its own media. anyway, now that i am always thinking about what i can print on, i started to look into what kind of blank clothing is available. american apparel has been very successful with their rhetoric of made-in-the-usa...but their founder is widely known to be a huge skeeze-ball, misogynist, union-breaker, and basically a big jerk.

a better option is no sweat apparel, who uses unionized labor to make all of their products. they have organic tees made in bethlehem, which also provides a rare source of labor for local residents. no organic onesies yet, but i received two (!) prompt and person responses to my web-based inquiry. they are an awesome company, support them if you have a chance!

Sunday, April 29, 2007

how to print with the print gocco pg 5

the print gocco is a fantastic little printing machine. the pg 5 is the new model that replaces the old b6 (the classic light blue one). the print area is the same, about the size of a postcard, with b6 size screens. the print gocco burns a screen using a special process (special flash bulbs that burn away anything drawn with a carbon-based writing instrument or copied on a photocopier). the print gocco machine can then be used to print your designs on paper or fabrics (using different inks).

disclaimer: i am not a gocco expert! i have tried to do a few different things, and i have learned a little bit in the process, but i have a lot more to learn.
there are a lot of great gocco resources out there that i will list at the end of this post, and are very helpful. i just wanted to make a simple tutorial to demystify the pg 5 gocco for someone starting out. any comments, corrections, or suggestions are welcome.
here's the pg 5 gocco. the yellow part holds the flashbulbs. the bulbs are one time use only, and it takes 2 to expose one screen.

this is the gocco open. it ships with a paper in the clear plastic holder, and a plastic film over the grey sticky foam printing bed. these should both be removed before use.

to make the screen: insert the hi mesh master in to the slots, with the arrow pointing down.

push down on the notch until it 'clicks' into place. the screens are designed so that there's really only one way they can go in all the way.
make sure you have inserted your 2 AA batteries (you can see where they go in the above picture), included in the pg 5 basic set.
NOTE: if you are using a photocopy, put the blue filter behind the master and insert them together.
put a blank card on the foam bed (to keep your artwork from sticking to it), and put your original artwork on top of that. i drew this image using the gocco marker (included in gocco set). position your artwork where you want it.

close the lid can check visually that your artwork is where you want it to be.
but 2 bulbs into the print hood (yellow part) can insert the hood into the print gocco body. here's the first side.
here's the second side.
at this point the order is top to bottom: yellow flash hood; clear plastic window in the gocco; blue filter; mesh master; original artwork; blank paper; foam bed.
when it's pressed down, the hood makes a complete circuit that will cause the bulbs to flash.
put both your hands on the front of the gocco (the picture just has one of my hands, because the other one is holding the camera, but you can see where your hands should go).
push down (you will see the the flash and hear a crackling noise) and hold for 3-5 seconds.
open your gocco. your artwork will most like be stuck to the master. remove the master (and blue filter, if you used it to create a master from a photocopy).
when you remove the yellow print hood, be careful not to touch the bulbs until they cool.
here's the master with my design exposed on it.

with the master out of the gocco, screen side down and sitting on a piece of scrap paper, lift the clear plastic up and squeeze ink out of the tube on to the area where your design is. if you haven't yet, peal your original off the master. (leaving it on until now can be helpful to see where exactly you need to ink).
replace the clear plastic layer and and put the inked master back into the gocco the same way and position as before. if you haven't removed the flash hood, do it now.
now the order is: clear plastic window in the gocco, clear plastic sheet over the ink, ink, mesh master.
put whatever you want to print on on the sticky grey foam bed. now it will be helpful that it's sticky as it holds your prints in place.
close the gocco to make a print. *repeat.*
this is my print on fabric.
these are all the things i printed on. and printing on felt was awesome.

this technique above can be used to print on paper or fabric, although to print on fabric, you need to used special gocco fabric ink. (EDIT: you can print on fabric with the same kind of screen and same process that you can use to print on paper-just use 'gocco stamp ink for fabric').

another way to print on fabric is instead of using the hi mesh master (which can be used for both paper or fabric printing), use the gocco screen masters especially for screen printing on fabric. with these, you can't use the gocco to print, rather you use the gocco to make the screen, and then print like typical screenprinting, using gocco screenprinting ink, which comes in jars and is not the same as the 'stamp ink for fabric' that comes in tubes.

this is a screened print i did using the gocco screen and screen inks. it was from a photocopy of a traditional japanese screen, so the meshy background is from the original image.

cleanup:
the screens can be re-used many many many times. you can store them in a ziploc bag in the fridge and take them out when you are ready to use them next time. this way, you don't even have to clean off the inks.
the fabric inks are water based. i recommend taping the cardboard edges of your screen before you start, that way they won't fall apart or warp after cleanup with water.
you can use the gocco cleaner with the paper inks, but they will also wash off if held under running water (this is where the tape comes it). you can also wipe with a sponge or paper towels. keep in mind that it's important to clean the print area only, and it the screen is stained in other places it will not affect your future prints.

current situation:
several years ago gocco' s parent company riso announced that gocco's would no longer be exported to the united states. this caused a bit of a frenzy and lead to creation of the save gocco campaign. EDIT: after several years of limited supplies, it seems that gocco will indeed be ceasing production in the next year or so. supply availability is not clear for the long run, but there are people working on getting a u.s. company to take over production, and other people working on developing supplies and systems that will work with the gocco machines. this author is optimistic that the gocco will live on.

resources:
nehoc the australian supplier, tons of information
the small object tutorial
the yahoo gocco-printers group
flickr gocco group
EDIT: i am no longer in japan, and therefore no longer selling gocco supplies in my etsy shop.

finished pottery!

on saturday, i went to pick up my pottery from the class i took earlier this year.
the teacher had fired and glazed everything, and it was the first time to see everything i had made together.this bowl is my favorite.
but i like these two wee cups too.